Chang Cheh

Biography

Chang Cheh (Chinese: 張徹, January 17, 1924 – June 22, 2002) was Shaw Brothers Studio's best known and most prolific film director, with such films as The Five Venoms, The Brave Archer (based on the works of Jin Yong), The One-Armed Swordsman, and other classics of wuxia and kung fu film.

Directed

1. The Five Venoms (1978) — Director
2. The Legend of the 7 Golden Vampires (1974) — Director
3. The One-Armed Swordsman (1967) — Director
4. Crippled Avengers (1978) — Director
5. Return of the One-Armed Swordsman (1969) — Director
6. Five Element Ninjas (1982) — Director
7. The New One-Armed Swordsman (1971) — Director
8. The Boxer from Shantung (1972) — Director
9. Golden Swallow (1968) — Director
10. Kid with the Golden Arm (1979) — Director
11. Invincible Shaolin (1978) — Director
12. Blood Brothers (1973) — Director
13. Shaolin Temple (1976) — Director
14. Masked Avengers (1981) — Director
15. Five Shaolin Masters (1974) — Director
16. The Heroic Ones (1970) — Director
17. Have Sword, Will Travel (1969) — Director
18. The Duel (1971) — Director
19. Vengeance! (1970) — Director
20. The Deadly Duo (1971) — Director
21. Two Champions of Shaolin (1980) — Director
22. The Shaolin Avengers (1976) — Director
23. The Water Margin (1972) — Director
24. Disciples of Shaolin (1975) — Director
25. The Flying Dagger (1969) — Director
26. The Brave Archer (1977) — Director
27. The Assassin (1967) — Director
28. Ten Tigers of Kwangtung (1979) — Director
29. Shaolin Rescuers (1979) — Director
30. The Magnificent Trio (1966) — Director
31. All Men Are Brothers (1975) — Director
32. 7-Man Army (1976) — Director
33. Man of Iron (1972) — Director
34. The Flag of Iron (1980) — Director
35. Shaolin Martial Arts (1974) — Director
36. Heroes Two (1974) — Director
37. The Rebel Intruders (1980) — Director
38. The New Shaolin Boxers (1976) — Director
39. The Sword Stained with Royal Blood (1981) — Director
40. House of Traps (1982) — Director

Also appeared in

1. The Angry Guest (1972) — Boss Yamaguchi (uncredited)
2. Yang ± Yin: Gender in Chinese Cinema (1998) — Self