Biography
Yasujirō Ozu was a Japanese film director and screenwriter. He began his career during the era of silent films. Ozu first made a number of short comedies, before turning to more serious themes in the 1930s. Marriage and family, especially the relationships between the generations, are prominent themes in Ozu's work. His most lauded films include Late Spring (1949), Tokyo Story (1953), Floating Weeds (1959), and An Autumn Afternoon (1962). His reputation has continued to grow since his death, and he is widely regarded as one of the world's most influential directors. In the 2012 Sight & Sound poll, Ozu's Tokyo Story was voted the greatest film of all time by world directors.
Directed
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Tokyo Story (1953) — Director
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Late Spring (1949) — Director
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An Autumn Afternoon (1962) — Director
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Good Morning (1959) — Director
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Early Summer (1951) — Director
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Floating Weeds (1959) — Director
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Late Autumn (1960) — Director
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Equinox Flower (1958) — Director
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Tokyo Twilight (1957) — Director
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I Was Born, But... (1932) — Director
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The Only Son (1936) — Director
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The End of Summer (1961) — Director
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The Flavor of Green Tea Over Rice (1952) — Director
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Early Spring (1956) — Director
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There Was a Father (1942) — Director
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A Story of Floating Weeds (1934) — Director
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Record of a Tenement Gentleman (1947) — Director
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A Hen in the Wind (1948) — Director
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Tokyo Chorus (1931) — Director
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The Munekata Sisters (1950) — Director
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What Did the Lady Forget? (1937) — Director
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Brothers and Sisters of the Toda Family (1941) — Director
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Woman of Tokyo (1933) — Director
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An Inn in Tokyo (1935) — Director
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A Straightforward Boy (1929) — Director
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Passing Fancy (1933) — Director
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That Night's Wife (1930) — Director
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Dragnet Girl (1933) — Director
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I Graduated, But... (1929) — Director
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Days of Youth (1929) — Director
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Where Now Are the Dreams of Youth? (1932) — Director
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Walk Cheerfully (1930) — Director
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The Lion Dance (1936) — Director
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A Mother Should Be Loved (1934) — Director
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Fighting Friends (1929) — Director
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I Flunked, But... (1930) — Director
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The Lady and the Beard (1931) — Director
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Until the Day We Meet Again (1932) — Director
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The Sorrow of the Beautiful Woman (1931) — Director
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A Primer on Marriage (1930) — Director