Biography
He is perhaps best remembered for his role of Big Ed Somers, the power hungry gangster pal of James Cagney in "White Heat" (1949). Born Robert Alexander Cochran in Eureka, California, he was the son of a California lumberjack, who moved the family to Wyoming in the 1920s, where Cochran grew to adulthood. After graduating from the University of Wyoming in 1939, Cochran began working steadily as a Wyoming cowboy, while developing his acting skills working in summer stock and regional theaters and gradually moving on to Broadway. In 1945, he signed with MGM, and for the next several years, played mostly secondary roles as gangsters or boxers. He made his film debut with "Boston Blackie Booked on Suspicion" (1945) and quickly followed with "Wonder Man" (1945). Released from his contract in 1948, he returned to Broadway where he worked with Mae West; the next year he signed on with Warner Brothers, where he earned leading roles in such films as "The Damned Don't Cry" (1950), "Highway 301" (1950) and "Tomorrow is Another Day" (1951). Warner Brothers often had him playing the villain in several of its western films, such as "Dallas" (1950), and "Back to God's Country" (1953). With the end…
Movies & TV Shows
-
The Twilight Zone (1959) — Fred Renard
-
The Best Years of Our Lives (1946) — Cliff Scully
-
White Heat (1949) — 'Big Ed' Somers
-
Il Grido (1957) — Aldo
-
The Chase (1946) — Eddie Roman
-
The Deadly Companions (1961) — Billy Keplinger
-
The Damned Don't Cry (1950) — Nick Prenta
-
A Song Is Born (1948) — Tony Crow
-
Storm Warning (1951) — Hank Rice
-
Wonder Man (1945) — Ten Grand Jackson
-
Private Hell 36 (1954) — Police Sgt. Cal Bruner
-
Dallas (1950) — Bryant Marlow
-
The Virginian (1962) — Jamie Dobbs
-
Copacabana (1947) — Steve Hunt
-
Highway 301 (1950) — George Legenza
-
Tomorrow Is Another Day (1951) — Bill Clark / Mike Lewis
-
Route 66 (1960)
-
The Weapon (1956) — Mark Andrews
-
Jim Thorpe – All-American (1951) — Peter Allendine
-
Carnival Story (1954) — Joe Hammond
-
The Kid from Brooklyn (1946) — Speed McFarlane
-
The Beat Generation (1959) — Dave Culloran
-
Raton Pass (1951) — Cy Van Cleave
-
Naked City (1958) — Niccolo Mori
-
Studio One (1948)
-
Slander (1957) — H.R. Manley
-
The Big Operator (1959) — Bill Gibson
-
Burke's Law (1963) — St. John Carlisle
-
Climax! (1954) — Ralph Leslie
-
Jimmy Carter Man from Plains (2007) — Self
-
Dick Powell's Zane Grey Theatre (1956) — Marshal Cam Tolby
-
Boston Blackie's Rendezvous (1945) — Jimmy Casey
-
Inside the Walls of Folsom Prison (1951) — Chuck Daniels
-
Mozambique (1964) — Brad Webster
-
Come Next Spring (1956) — Matt Ballot
-
Robert Montgomery Presents (1950) — Captain John Pringle
-
I, Mobster (1959) — Joe Sante
-
The Lion and the Horse (1952) — Ben Kirby
- Lux Video Theatre (1950) — Luke Martens
-
Letter to Loretta (1953) — Joe