Biography
Michel Drach begins at the time of the New Wave, but belongs to no current. He realizes romantic movies, very political films that scandal movies on very personal melancholy. After studying painting at the Academy of Fine Arts, it is oriented towards the cinema by his cousin Jean-Pierre Melville, where he became the assistant. It begins with short films in a very personal invoice, which Soliloques the poor (1951) and Auditorium (1957) and then passes feature film is not buried on Sunday (1959) study on the existential loneliness of a "Black" in Paris, which earned him the Louis Delluc price announcement by the style of filming and production method, the New Wave. The delicacy and warmth of its beings approach are confirmed in the melancholy or love Amelie time (1962). After the interlude of the Good Occase (1965) and Diamond Safari (1966), it is the auteur cinema (it is writer of all his films) with Elise, or Real Life (1970, according to Claire book Etcherelli), where talent thrives Marie-José Nat, his wife, in the character of a bruised love with a French Algerian (performer Mohamed Chouikh) at the time of the war in Algeria. Its commitment to the left appears again in Viol…
Directed
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The Red Sweater (1979) — Director
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Violins at the Ball (1974) — Director
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Elise, or Real Life (1970) — Director
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One Does Not Bury Sunday (1960) — Director
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Gramps Is a Great Guy! (1987) — Director
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Guy de Maupassant (1982) — Director
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Replay (1977) — Director
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Amelie or The Time to Love (1961) — Director
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Diamond Safari (1966) — Director
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Parlez-moi d'amour (1975) — Director
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The Real Bargain (1965) — Director
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Les Compagnons de Jéhu (1966) — Director
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Sauve-toi, Lola (1986) — Director
