Biography
The daughter of a railroad official, Camilla Horn was educated in Germany and Switzerland. She initially trained as a dressmaker and received her first job experience in a fashion salon in Erfurt. This was merely a stepping stone for a performing career which began with dance lessons in Berlin and subsequent acting studies under Lucie Höflich. The lithe, blond and strikingly beautiful Camilla soon appeared in cabaret revues staged by Rudolf Nelson. By 1926, she was employed as an extra at Ufa, where she was spotted by the director F.W. Murnau, who found in her the ideal representation of Gretchen for his seminal production of Fausto (1926) . The role catapulted Camilla to instant stardom. Within a year, she was signed by United Artists in Hollywood, befriending Charles Chaplin and, more importantly, studio chairman Joseph M. Schenck. The friendship with Schenck may, or may not, have led to an affair -- depending on which story one is to believe -- but it did result in two high profile starring roles opposite John Barrymore in the torrid melodramas Tempestad (1928) and Amor eterno (1929), both produced by Schenck. Neither film was a commercial success. With the coming of sound, Cam…
Movies & TV Shows
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Faust (1926) — Gretchen Marguerite
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Tartuffe (1926) — (uncredited)
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Die Schwarzwaldklinik (1985) — Dr. Rens′ Mutter
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Tempest (1928) — Princess Tamara
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Eternal Love (1929) — Ciglia
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Appointment in Beirut (1968) — Evelyn Brown
- Seine beste Rolle (1944) — Elise Sander
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Ways to Strength and Beauty (1925)
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Fahrendes Volk (1938) — Pepita, Kunstreiterin
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The Chaste Beloved (1940) — Renée Lemonier
- He's at It Again (1970) — Paula
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Broken Love (1942) — Corinna Dellys, l'amante di Alberto
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Zentrale Rio (1939) — Diane Mercier
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The Adventures of Superhero (1987) — Mother
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The Double (1934) — Jenny Miller
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Friedemann Bach (1941) — Mariella Fiorini
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The Great Passion (1930) — Eva von Loo
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A Waltz for You (1934) — Fürstin Stefanie
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Schloß Königswald (1988) — Fürstin Großmutter
- Red Orchids (1938) — Gräfin Ogolenska
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Hans in Every Street (1930) — Elisabeth, the Bride
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Matinee Idol (1933) — Sonia Vance
- Frankies Braut (1982) — Frau von Kieblitz
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Eva and the Grasshopper (1927) — Camille de Saxe
- Polterabend (1940) — Lissi
- Königin der Arena (1952) — Diana Bianca, Dompteuse
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If I Were King (1934) — Inge Winkler
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The Cheeky Devil (1932) — Alice Ménard
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White Slaves (1937) — Manja - seine Tochter
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The Last Round (1940) — Lilly
- Wenn ich sonntags in mein Kino geh'... (1992) — Self
- Immer bei Vollmond (1970) — Wegelin's Mother
- Mein Herz gehört Dir... (1930) — Diane D'Artois
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Frivolous youth (1931)
- Herz ohne Heimat (1940) — Dina Horster
- Sein letztes Modell (1937) — Maria Várady
- Roman eines Arztes (1939) — Käthe Üding - seine Frau
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The Red Rider (1935) — Hasia Nowrowska
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Gesucht wird Majora (1949) — Gritt Faller
- Vati macht Dummheiten (1953) — Baronin von Baran