Biography
Juan Calvo was a Spanish actor. He began his contact with cinema in 1934, with a small part in the sound version of Florián Rey's La hermana San Sulpicio. During part of the war he was representing theatrical plays in the national zone, but at the end of the war he abandoned the stage to devote himself fully to the cinema, whose filmography consists of about eighty titles. In 1938 he shot in the German studios of Ufa, Suspiros de España, by Benito Perojo, and the following year he finished shooting the film by Fernando Delgado, El genio alegre, begun in 1936, which had remained unfinished due to the outbreak of the Civil War. After shooting Florián Rey's La Dolores in 1940, he spent a couple of seasons filming between Spain and Italy, where he stood out in Ladislao Vajda's film Conjura en Venecia. In the first half of this decade he also stood out in two other films by this director, El testamento del Virrey and Cinco lobitos, as well as in Raza and El escándalo, by José Luis Sáenz de Heredia; Huella de luz, El clavo, Eloísa está debajo de un almendro and Tierra sedienta, by Rafael Gil; Boda en el infierno and Los últimos de Filipinas, by Antonio Román, or Tuvo la culpa Adán and El…
Movies & TV Shows
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The Miracle of Marcelino (1955) — Fray Papilla
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Il conte Max (1957) — zio Giovanni
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The Rocket from Calabuch (1956) — Matías
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Miracles of Thursday (1957) — Don Antonio
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Uncle Hyacynth (1956) — Used Clothing Salesman
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Los tramposos (1959) — Belilla
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Don Quixote (1947) — Sancho Panza
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Raza (1942) — El Campesino
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Radio Stories (1955) — Señor gordo
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Out on the Big Ranch (1949) — Venancio
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Eloísa está debajo de un almendro (1943) — Leoncio
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For Men Only (1960)
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Nosotros los rateros (1949) — Don Raimundo
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Martes y trece (1962) — Inspector de policía
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Everybody's Woman (1946) — Conde
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Condemned to Hang (1953) — Lorenzo Ruiz
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Fray Escoba (1961) — Fray Barragán
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Vivillo desde chiquillo (1951)
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Afternoon at the Bulls (1956) — Don César
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Huella de luz (1943) — Mike
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El Buen Mozo (1946) — Coronel Duclos
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Entre abogados te veas (1951) — El Patrón (Don Carlos)
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El fantasma y doña Juanita (1945) — Don Elpidio
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La venenosa (1949) — Mr. Mullich
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Capitan Tempesta (1942) — Hussif
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Monte de piedad (1951) — Doctor
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Mi marido (1951) — Juan, esposo de Luisa
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El fenómeno (1956) — Ramón Fernández
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… Y después del cuplé (1959)
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El escándalo (1943)
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El puente de la paz (1958) — Don Galo
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La gran mentira (1956) — Paulino Sándalo
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Tosca (1941)
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The Adventurer of Seville (1954) — El Cartujano
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La virgen desnuda (1950)
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Hermoso ideal (1948) — Don Pedro Rubio
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Suspiros de Triana (1955) — Don Atiliano Revuelta
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The Woman Who Came from the Sea (1957) — Miguel
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Educando a papá (1955)
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L'uomo dai calzoni corti (1958)