Biography
From Wikipedia, the free encyclopedia. Isa Miranda (5 July 1909 – 8 July 1982) was an Italian actress with an international film career. She worked as a typist whilst attending the drama academy in Milan and training as a stage actress. She went on to play bit parts in Italian films in Rome. Success came with Max Ophüls' film La Signora di tutti (Everybody's Woman) (1934) in which she played Gaby Doriot, a famous film star and fascinating adventuress with whom men cannot help falling in love. Having brought several of them to their ruin, she slits her wrists. This was perhaps Miranda's finest screen performance and it brought in its wake several film offers and a Hollywood contract with Paramount Pictures. There, billed as the "Italian Marlene Dietrich", she played several femme fatale roles in such films as Hotel Imperial (1939) and Adventure in Diamonds (1940). She returned to Italy soon after the outbreak of World War II and continued to act on the stage and to make films. In 1949, she starred in René Clément's The Walls of Malapaga, which won an Academy Award for the most outstanding foreign language film of 1950, and for Miranda, the Palme d'Or at the Cannes Film Festival. …
Movies & TV Shows
-
A Bay of Blood (1971) — Countess Federica Donati
-
The Night Porter (1974) — Countess Stein
-
Summertime (1955) — Signora Fiorini
-
The Avengers (1961) — Damita Syn
-
La Ronde (1950) — Charlotte
-
The Shoes of the Fisherman (1968) — The Marchesa
-
The Yellow Rolls-Royce (1964) — Duchesse d'Angoulême
-
Dorian Gray (1970) — Mrs. Patricia Ruxton
-
Bambina (1974) — Lorè
-
Everybody's Woman (1934) — Gabriella Murge, alias Gaby Doriot
-
The Dollars Are Coming! (1957) — Caterina Marchetti
-
The Walls of Malapaga (1949) — Marta Manfredini
-
Roy Colt and Winchester Jack (1970) — Mamma Lizzy
-
Corruption (1963) — Mrs. Mattioli
-
Scipio Africanus: The Defeat of Hannibal (1937) — Velia, a Roman woman
-
We, the Women (1953) — Isa (segment "Isa Miranda")
-
Abandoned (1955) — Contessa Luisa
-
The Man from Nowhere (1937) — Louise Paleari
-
Malombra (1942) — Marina di Malombra
-
The Empty Canvas (1963) — Cecilia's Mother
-
A Kiss for a Killer (1957) — Betty Farnwell
-
The Seven Deadly Sins (1952) — Mrs. Alvaro (segment "L'Avarice et La Colère")
-
Maigret (1960)
-
Marta (1971) — Elena
-
Before the Deluge (1954) — Françoise Boussard
-
The Great Deception (1959) — la tsarine Elisabeth Petrovana de Russie
-
Dog Eat Dog! (1964) — Madame Benoit
-
The Lie of Nina Petrovna (1937) — Nina Petrovna
-
The Gallant Musketeer (1964) — Catherine de Medicis
-
Dear Caroline (1968) — La duchesse de Bussez
-
Red Hot Shot (1970) — Tenutaria bordello
-
Armchair Theatre (1956) — Maria
-
Position Wanted (1951) — Angela Leonardi
-
Adventure in Diamonds (1940) — Felice Falcon
-
Do You Know This Voice? (1964) — Rosa Marotta
-
The Secret of Helene Marimon (1954) — Hélène Marimon
-
We'll Call Him Andrea (1972) — Teacher
-
Sergeant Cork (1963) — Magda Brandel
-
Zazà (1944) — Zazà
-
He and She (1969) — Mother