Biography
Maria Esther Gorostiza Rodriguez, better known as Analia Gadé (1931- 2019), was an Argentine actress born in Cordoba. She changed her name after participating in a radio contest and thus entering the artistic world. She worked in several Argentine films during their golden age. While filming "Cita en las estrellas", she met Juan Carlos Thorry, who then became her husband. She then moved to Spain, where she had a somewhat unsuccessful career. In the 60s, however, she hosted her own TV show thanks to her beauty and talent. She also participated in multiple European co-productions. During the last years of her career, she devoted herself almost completely to theater.
Movies & TV Shows
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Murder Mansion (1972) — Elsa (as Analia Gade)
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The Bitter Stems (1956) — (uncredited)
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In the Eye of the Hurricane (1971) — Ruth
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Madame (1961) — Caroline Bonaparte
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Crime on a Summer Morning (1965) — Consuelo Dermott
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The Long Vacations of '36 (1976) — Virginia
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Life Ahead (1958) — Josefina Castro
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For Men Only (1960) — Flora
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Exorcism's Daughter (1971) — Tania
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La vida alrededor (1959) — Josefina Castro
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Viaje de novios (1956) — Ana
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Date in the Stars (1949) — Carmen
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One Billion for a Blonde (1972) — Desirée Charrier
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Anna Said Yes (1958) — Ana Molinos Alonso
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Love Letters of a Nun (1978) — Madre Mariana de la Cruz
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Lucecita (1976)
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Another Man's Wife (1967) — Pepa
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Las locas del conventillo (1966) — Lola
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Matrimonio al desnudo (1974) — Beatriz
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Las marginadas (1977) — Consuelo
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Luna de verano (1959)
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El adúltero (1975) — Verónica
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Mi profesora particular (1973) — Francisca
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Las muchachas de azul (1957) — Ana
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Vidalita (1949)
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El morocho del Abasto (La vida de Carlos Gardel) (1950)
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Pecados conyugales (1969) — Sofía
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Una muchachita de Valladolid (1958) — Mercedes Martínez Rey
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La vil seducción (1968) — Alicia Prades
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Mayores con reparos (1966) — Pepita
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Emergency Ward (1952)
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The King is the Best Mayor (1974) — Felicia
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El monumento (1970) — María
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La fiel infanteria (1960) — Elisa
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La rubia Mireya (1948) — Lucía Robles
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Nada menos que todo un hombre (1972) — Julia Yáñez
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La mentira tiene cabellos rojos (1962) — Isabel Mendoza
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Nacha Regules (1950)
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La frontera del miedo (1958) — Mercedes Peña
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Somos todos inquilinos (1954) — Alicia