Biography
From Wikipedia, the free encyclopedia. Jill Esmond (26 January 1908 – 28 July 1990) was an English actress and first wife of Sir Laurence Olivier. In 1928 Esmond (billed as Jill Esmond Moore) appeared in the production of Bird in the Hand, where she met fellow cast member Laurence Olivier for the first time. Three weeks later, he proposed to her. In his autobiography Olivier later wrote that he was smitten with Esmond, and that her cool indifference to him did nothing but further his ardour. When Bird in the Hand was being staged on Broadway, Esmond was chosen to join the American production – but Olivier was not. Determined to be near Esmond, Olivier travelled to New York City where he found work as an actor. Esmond won rave reviews for her performance. Olivier continued to follow Esmond, and after proposing to her several times, she agreed and the couple were married on 25 July 1930 at All Saints', Margaret Street; within weeks, the couple regretted their marriage. They had one son, Tarquin Olivier (born 21 August 1936). Returning to the United Kingdom, Esmond made her film debut with a starring role in an early Alfred Hitchcock film The Skin Game (1931), and over the next fe…
Movies & TV Shows
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Random Harvest (1942) — Lydia
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The Skin Game (1931) — Jill Hillcrist
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Night People (1954) — Frau Schindler / Rachel Cameron
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Thirteen Women (1932) — Jo Turner
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Casanova Brown (1944) — Dr. Zernerke
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The White Cliffs of Dover (1944) — Rosamund
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This Above All (1942) — Nurse Emily Harvey
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Journey for Margaret (1942) — Susan Fleming
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Escape (1948) — Grace Winton
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A Man Called Peter (1955) — Mrs. Findlay
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The Pied Piper (1942) — Mrs. Cavanaugh
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The Bandit of Sherwood Forest (1946) — The Queen Mother
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F.P.1 (1933) — Claire Lennartz
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Bedelia (1946) — Nurse Harris
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Ladies of the Jury (1932) — Yvette Gordon
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State's Attorney (1932) — Lillian Ulrich
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Is My Face Red? (1932) — Mildred Huntington
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Private Information (1952) — Mrs. Charlotte Carson
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Once a Lady (1931) — Faith Penwick
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My Pal, Wolf (1944) — Elizabeth Munn
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Eagle Squadron (1942) — Phyllis
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No Funny Business (1933) — Anne Moore
- Prison Without Bars (1939)
- The Chinese Bungalow (1930) — Jean Sing
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The Eternal Feminine (1931) — Claire Lee
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Laurence Olivier: A Life (1982) — Self ( Archive footage)