Biography
American experimental filmmaker Stan Vanderbeek began his career in the 1950’s after having studied art and architecture in New York and North Carolina. His earliest period (1955-1965) is marked by his animated painting and collage films which the artist and critic Daryl Chin regarded as having an “enormous vitality, bounding inventiveness and incendiary wit which was shared by such other collagists as Robert Breer, Bruce Conner, Dick Preston.” Films such as Science Friction (1959, 10’), Breathdeath (1963, 15’), A la Mode (1959, 7’) and Achoo Mr. Kerrooschev (1960, 2’) are from this period. In the 1960’s, in the context of his expanded cinema research, Vanderbeek started his audacious project of the “Movie Drome” theater, a space that allowed him to create an appropriate environment for his synesthetic works, which included film, performance and dance among other disciplines. The filmmaker spent about 10 years developing this project, which consisted of a huge dome that surrounded the audience and engulfed them in the images projected all around them. From the mid-1960’s, Vanderbeek ‘s appetite for exploring new technologies increased and tools such as video played a major part …
Directed
- Science Friction (1959) — Director
- A La Mode (1959) — Director
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Breathdeath (1963) — Director
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Skullduggery (1962) — Director
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What, Who, How (1957) — Director
- Achooo Mr. Kerrooschev (1960) — Director
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See Saw Seams (1965) — Director
- Poem Field No. 2 (1966) — Director
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Film Form No. 1 (1968) — Director
- Pastorale (1965) — Director
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For Life, Against the War (1967) — Director
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Astral Man (1959) — Director
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Site (1964) — Director
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Image After Image (1967) — Director
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Symmetricks (1972) — Director
- Collide: Oscope (1966) — Director
- Movie-Movies (1965) — Director
- Vision III (1966) — Director
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Superimposition (1968) — Director
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Expo Faces (1967) — Director
- Man and His World (1967) — Director
- Poem Field No. 4 — Director
- Poem Field No. 8 — Director
- Poem Field No. 6 — Director
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Black and White, Day and Night (1960) — Director
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The Human Face Is a Monument (1965) — Director
- Wheeeels No. 1 (1958) — Director
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Poem Field Series (1967) — Director
- Poemfield No. 1 (Blue Version) (1967) — Director
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Ad Infinitum (1968) — Director
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Mankinda (1957) — Director
- Panels for the Walls of the World (1967) — Director
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Oh (1968) — Director
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Movie-Drome (1966) — Director
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Poem Field No. 3 (1967) — Director
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Dance of the Looney Spoons (1959) — Director
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The Smiling Workman (1960) — Director
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Street Meat (1959) — Director
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Wheeeeels No. 2 (1958) — Director
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Fluids (1964) — Director
Also appeared in
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Free Radicals: A History of Experimental Film (2011) — Himself (archive footage)
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Reality's Invisible (1972) — Self
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Home Movies 1971-81 (1985)
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Filmmakers (1969) — Himself
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Visual Velocity: The Work of Stan VanDerBeek (2000)
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Notes on the Buffalo Conference: “Autobiography in American Independent Cinema” (1973)