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Ulrike Ottinger

Ulrike Ottinger

Director · Born 1942-06-06 · Konstanz, Germany

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Biography

Ulrike Ottinger is an avant-garde, contemporary German artist. She is particularly well-known and successful as a filmmaker, painter and photographer.

Directed

  1. Freak Orlando (1981) — Director
  2. Ticket of No Return (1979) — Director
  3. Madame X – An Absolute Ruler (1978) — Director
  4. Seven Women, Seven Sins (1986) — Director
  5. Dorian Gray in the Mirror of the Yellow Press (1984) — Director
  6. Twelve Chairs (2004) — Director
  7. Johanna d’Arc of Mongolia (1989) — Director
  8. Taiga (1992) — Director
  9. The Enchantment of the Blue Sailors (1975) — Director
  10. Under Snow (2011) — Director
  11. Prater (2007) — Director
  12. Countdown (1990) — Director
  13. Laocoon & Sons: The Story of the Transformation of Esmeralda del Rio (1975) — Director
  14. Superbia – The Pride (1988) — Director
  15. Chamisso’s Shadow (2016) — Director
  16. Usinimage (1987) — Director
  17. The Korean Wedding Chest (2009) — Director
  18. China. The Arts – The People (1985) — Director
  19. Berlin Fever (1973) — Director
  20. Exile Shanghai (1997) — Director
  21. Paris Calligrammes (2020) — Director
  22. Seoul Women Happiness (2008) — Director
  23. Still Moving (2009) — Director
  24. Aloha (2016) — Director
  25. Ester (2002) — Director
  26. Happy Birthday – Lil Picard (1974) — Director
  27. The Specimen (2002) — Director
  28. The Blood Countess (2026) — Director
  29. Southeast Passage (2002) — Director

Also appeared in

  1. Ticket of No Return (1979) — Narrator
  2. Madame X – An Absolute Ruler (1978) — Orlando
  3. The Enchantment of the Blue Sailors (1975) — Nymphe der deutschen Romantik
  4. Cinématon (1978) — N°104
  5. Laocoon & Sons: The Story of the Transformation of Esmeralda del Rio (1975) — Kakalia Katzen
  6. Audience (1983) — Self
  7. Chamisso’s Shadow (2016) — Herself (voice)
  8. The Korean Wedding Chest (2009) — Narrator
  9. Ulrike Ottinger: Nomad from the Lake (2012) — Herself
  10. Dubai Winter Diary VI: Light and Reflections (2012) — Self
  11. Les réalisatrices contemporaines: l'état des choses (2016) — Self
  12. Cinématon XI (1981) — N°104
  13. The Making Of “Superbia” (1986)