Overview
The filmmaker returns to the subject of Picasso, who he had first filmed in a documentary short made in 1950,then using material from studio archives and shooting stock provided by Cinematheque curator Henri Langlois.
The filmmaker returns to the subject of Picasso, who he had first filmed in a documentary short made in 1950,then using material from studio archives and shooting stock provided by Cinematheque curator Henri Langlois.